Salomé Chatriot - In update

Selected Personnal —
2020
2020 - FORTHCOMING
  • Détour art Fair - off Frieze, Los Angeles
  • Spaced in Lost - off Frieze, Los Angeles
2019 
  • Synthetic Bodies, Paris
  • Solo Fragile Ecosystem, Geneva
  • Solo x Samuel Fasse W.S//, Nicoletti Contemporary, London 
  • Solo x Samuel Fasse S.S//, Amac Projects, Paris 
  • Spaced in Lost II, Galerie Charraudeau 
  • Spaced in Lost III, Boon Room, Paris
  • Evolution - Nouveau Territoire, Fosum Fondation, Shangaï curated by Dominique Perrault  
  • Solo Performance x Samuel Fasse ForeGate at Silencio, Paris 
2018 2017
2016 



Selected Commissionned —
2019
  • Interactive Installation for Levi’s at Le bon Marché in Paris 
2018 - 2020
  • 3D modeling & renderings for internationnal brands 
2017
  • ‘Venus Rises’, a digital image series for Anna Toussain’s Sound Project exhibited in Ecal, Lausanne (CH)
2016
Mark

3. Thomas Kuhn

 




TK / 1962
From The Structure of Scientific Revolutions

            Yet one standard product of the scientific enterprise is missing. Normal science does not aim at novelties of fact or theory and, when successful, finds none. New and unsuspected phenomena are, however, repeatedly uncovered by scientific research, and radical new theories have again and again been invented by scientists.
            The practice of normal science depends on the ability, acquired from exemplars, to group objects and situations into similarity sets which are primitive in the sense that the grouping is done without an answer to the question, “Similar with respect to what?” One central aspect of any revolution is, then, that some of the similarity relations change. Objects that were grouped in the same set before are grouped in different ones afterward and vice versa. Think of the sun, moon, Mars, and earth before and after Copernicus; of free fall, pendular, and planetary motion before and after Galileo; or of salts, alloys, and a sulpuhur-iron filing mix before and after Dalton.





Mark